Mario Dennis Photography

The traveler sees what he sees, the tourist sees what he has come to see. G.K. Chesterton

Photographing the Lower Antelope Canyon

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The Antelope Canyons in the Page, Arizona area, are hugely popular with photographers, and for good reason. They offer unique opportunities to capture the colors, shapes and textures of the sandstone walls and overhangs. The colors change as the sunlight, filtering down through the narrow slots, changes in angle and intensity. The canyons have become something of a cliché for outdoor photographers, but there’s no escaping their beauty. If you’re in that area, they are definitely worth your time. However, popularity creates problems. Others had warned me how crowded it could be, and I saw them literally trucking in visitors to the Upper Canyon, even in mid-December in sub-freezing weather, so I decided not to shoot there. However, I did enjoy the Lower Antelope Canyon, which is located nearby but is an entirely separate operation. Go about 11 AM for the best light. A two-hour photographer’s pass is $36 (2013) and well worth it. You must show them your DSLR camera and a tripod; a point-and-shoot condemns you to touring with a guide and perhaps 8-10 others, all of whom are getting into each other’s (and your) way. They are strict about the two-hour limit, but that’s enough time if you keep moving.

Since you’re using a tripod you can shoot with a wide-angle lens at fairly low ISO (400). Obviously, you’ll need to increase ISO substantially to shoot hand-held, but I preferred to take my time and take advantage of the tripod, since I had to have it. I recommend a cable or IR remote.

Don’t plan on switching lenses in the canyon: it’s very dusty and the sand is extremely fine and can get in everywhere. (One gentleman who was shooting at the same time as me inexplicably removed his lens and accidentally dropped it onto the sand. We did what could to blow and brush the sand out, but I think he was looking at a professional cleaning.) Take a rocket blower and brush in with you and check your lens occasionally. I used a 12-24mm (DX) lens and was very pleased with the quality of my images. Of course, shooting RAW is a good idea, as it usually is. Look up, look behind you; walk a few yards and repeat. The possibilities are endless. It’s impossible to take too many images.

You’ll be moving through some tight spaces, so travel light. I foolishly carried my photo backpack into the canyon, but should have left it in the car. My vest would have been sufficient to carry the few items I really needed. There is some climbing up and down metal stairs and ladders, but if you are careful you can manage them while carrying your camera and tripod.

I processed my images in Lightroom. Because of the variations in light, there can be a large tonal range and lighter areas can quickly blow out. I did not shoot HDR (I’m not a big fan) but Lightroom really did a good job opening up the shadows and recovering the highlights.

Author: Mario Dennis

I am a long-time photo hobbyist, and picked up my first camera (my mother's box camera) when I was in elementary school. I enjoy photographing landscapes, especially in California and the Southwest, including the Four Corners region of Arizona, Utah, New Mexico and Colorado. I also enjoy photographing historical reenactments, powwows, and local events. My favorite events are powwows, which are held throughout the warmer months in Virginia and the surrounding area. I am an organizer with the Richmond Photography Meetup Group. Please join us if you live in Central Virginia. I am also a moderator for the Lightroom Help Group on Facebook, and if you're a Lightroom user and Facebook member, you should check us out. All images © 2008-2017 Mario Dennis

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